strengthened stakeholders in the independent performing arts in rural areas and promoted participation and cultural diversity beyond the big cities.

PROJECT COMPLETED    PROJECT COMPLETED

Rural areas hold special challenges but also opportunities for the independent performing arts. How can the local stakeholders be strengthened, how can participation and cultural diversity be promoted? With “Performing Exchange” (PEX), from 2019 the Bundesverband Freie Darstellende Künste (BFDK) supported various different approaches to outreach and inclusion; from 2022 onwards, the focus was on formats that emphasise equality of exchange.

At the same time, funding was provided for networking projects that ran for a limited amount of time, but whose alliances and synergies promised to have a lasting effect. The focus was on networking between the independent performing arts and third places, between generations, between different regions and between the different arts. The knowledge that was produced in these networking projects was pooled and made accessible: during several residencies, at online regular meet-ups and in a “Landakademie” (rural academy) on the 14th of December, 2022.

From 2019 to 2021, PEX focussed on the relationship between the independent performing arts and the audience. The following aims were pursued: enabling people to participate in the independent performing arts regardless of their background, level of education or age; attracting new audiences; increasing attention for art produced in rural areas generally; sharing knowledge about the independent performing arts and promoting a deeper engagement with them. Stakeholders from rural regions were supported by means of advice, further training, professionalisation and networking.

You can find information about the events and formats organised to date (including conferences, concept workshops and digital meet-ups) in the project’s documentation.

The project was funded until the end of 2022 by the Federal Government Commissioner for Culture and the Media on the basis of a resolution by the German Bundestag. 

 Cooperations

Landkarte auf der die PEX-Teilnehmenden abgebildet sind.

Partners

Past cooperations

Past Partners

  • Negar Foroughanfar und Marlene Helling (2020), Rechercheprojekt zu „Translating Pasts into Future“
  • Yolanda Morales (2020), „TWENTY-TWENTY PLACES TO BE SAFE“
  • Tümay Kılınçel und Julius Schape (2020), Rechercheprojekt zur Mystery-Mockumentary „Dürre“
  • Christoph Bautz (2021), „TriebHausEuropaSpiel“
  • Stefanie Hauser (2021), „THEATER TANDEM – STADT LAND LOFFT“
  • Annika Keidel (2021), „Sintflut“
  • Jörg Thums (2019), „(Atmo)Sphärenforschung“
  • Jacoba Arekhi und Das Opernale Team (2020), „Dahingehen, wo die Menschen sind“
  • Lisa Ina Blaschke und Jana Kühn (2020), Traumschüff – Theater im Fluss, „Kapitän*innen-Tisch“
  • Andrea Hingst, Anja Imig und Thomas Matschoss (2020), Jahrmarkttheater, Gesprächsreihe Dorfgedanken „Folgelosigkeit“
  • Libken liest (2020), „Herkunft“
  • Beate Albrecht (2021), Theater Theaterspiel, „Nachgespräch+plus“
  • Marie Golüke (2021), Festival Für Freunde
  • Jarmila Lee-Lou Kuznik (2021), „An Schbäggtakl vrfihrat“
  • Markus Vongries (2021), „Behutsame Wiederbelebung“
  • Stephan Rätsch (2019), Theater mit Puppen, Penzlin/Mecklenburg Vorpommern
  • Wolfram Scheller (2020), theater.land, „Quijote de la Mark“
  • Anka Hirsch (2021), “GODOT kommt an – eine Kommunale Oper“, Konzeptentwicklung, Workshops, Diskussionen, Recherche und Planungen
  • Manuel Kern, Daria Malygina und Mona Wahba (2020), IGRATEKA, „Zeig Dich Zeig Dich Nicht“
  • Jana Kühn (2021), „Schatzgrube – Ein Dorf klingt!“
  • Juliane Torhorst (2021), „BruchStück Vol. 2“
  • Hoernemann & Walbrodt (2020), CommunityArtWorks, „InneHalteStellen“
  • Elisabeth Schilling und Lea Winkler (2020), „Invisible Dances: Art in & around Lockdown“
  • Thomas Hof und Patrizia Schuster (2021), „Spur der Steine“, partizipativer Audiowalk in Gudensberg
  • Isolde Matkey (2021), Tristan Produktionsbüro, „Mit.Nachbarn 2021: Ackern in Oderwitz“
  • David Schnaegelberger (2021), „After the End // An der Rheinischen Riviera“
  • Dr. Annette Storr (2021), „wald als buehne“
  • Amadeus Pawlica und Katerina Vlasova (2019), „HÄNSEL UND GRETEL – ein Familientanzstück“
  • Beate Albrecht (2021), Theaterspiel, „Nachgespräch+plus“
  • Malte Andritter (2021), Kulturvermittlung im Elbeforum Brunsbüttel
  • Das Letzte Kleinod (2021), manufaktur theater, Mobilität im ländlichen Raum
  • Evelyn Stadler (2021), „ohne Worte“
  • Julia Dick (2020), Katze und Krieg, „Die Dorftournee“, Konzeptentwicklung
  • Kathrin Ollroge und Sina Schmidt (2020), Gedanken-Räume e. V., „Gedanken-Konstrukte“, Entwicklung einer ortsspezifischen Installation in der Gemeinde Demmin
  • Felix Forsbach und Franz KAfKA e. V. (2021), „Augustusburg 1933 –1945“
  • Lennart Scheuren (2021), Kooperation zwischen Lindenfels und Lindenfels

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Logo der Beauftragten für Kultur und Medien

Team + contact information

Project Management

Karen Appel

E-Mail: @email

 

Sandra Bringer

E-Mail: @email

Project staff

Elisabeth Klug
E-Mail: @email

 

More on rural areas

Rural areas

The BFDK enables, supports, connects and strengthens independent performing arts projects in rural areas. In this way it contributes to ensuring basic cultural services are provided in these areas.   

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